1461 pistas de audio libre de derechos para "16 Bit"

Best useses: film ambiance / atmosphere. ______________________________________________________________________________________. A field recording of night time ambience, very little wind noise. Easily loopable in production. There is a very very light sound of rain in the file but could easily be overlooked and would be covered with dialog. No credit is required, but is appreciated!. _____________________________________________________________________________________. Other tech stuff:. Field recorded with a zoom h4n at a 120 degree focus. Samples taken at 44. 1k sample rate and 16 bit depth.

Semi-auto rifle simulation, created using zoom h1. Artificial gun shots to simulate a semi-auto weapon in battle. Mic capsules were tapped with a popsicle stick to create this sound. Recorded at 24 bit 96khz, exported to 16 bit wav. Added pop compression filter for a theater like experience in post. Feel free to use this were ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improving sounds. :).

Plucking the rim of an empty wine glass with my finger. Recorded a bunch of samples then isolated the ones i liked into this file. Left a small gap of silence between them for separation later. While all the samples were initially recorded at 16-bit 44100hz, some of the later ones compiled into this wav were accidentally saved at 8-bit and have gathered some noise as a result. All samples recorded using a blue yeti microphone. Used audacity's noise removal filter to to remove background noise. Attribution appreciated but not required.

An sennheiserme66 and me67 on opposite channels, i don't remember which was which(sorry). . But i could tell no real difference during recording (samecapsule, different tube). The mics were near coincident next to canarycage, though shure fp24 and tascam hdp1. Original at 24 bit 96k, down converted to 16 bit 48k. It took allot of intimidation to get the stinking birds to sing. . I threatened violence, finally when alanis morsette played, they gave it up. Otherwise birds would have died (though that may have been an interesting recording too). .

Grilos em um brejo de uma fazenda, na parte da manhã. "crickets on marsh". Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). Http://www. Imagemhost. Net/fyh. Jpg. 16 bit. Wav48. 000 hzmono. .

Farmer milking a goat by hand. Bucket is half-full of milk. Goats and bucket stands on a wooden platform. Goat-milking sound samples recorded in a small traditional goat-farm in the south of francerecorded with tascam dr-10048000 hz stereo, 16-bit wave pcm uncompressed.

Cowbell recorded both being shaken, as well as being struck with a pencil. Recorded using a blue yeti microphone at 16-bit 44100hz in adobe audition cs6. Used audition's noise removal tools to minimize audible background noise. While no others effects have been added, i would recommend using a hard limiter of around 10-20db for a fuller sounding bell. Attribution appreciated but not required.

Used as part of an old time radio show live production. . . I used two toy ray guns and fired them at close range and distant range. . . Various rates of firing. . . As if in a "space patrol" ray-gun battle with aliens. . . 48 khz at 16 bit - using sony mini-disc recorder 2009 - interior.

Quiet time of day, recorder placed in cardboard box in a cupboard and covered with clothing. As in title and file info, low cut 40hz, 16 bit, 44. 1 khz. I didn't see any point in going below a 70% gain level as it's not too bad at those levels.

Beginning, part ii, of an arrangement of afro blue using a 5/4 time signature --- same piano track as "afro blue five 003", but with a newer bassline. Piano (roland xv5080 + studiologic sl73 controller), bass (sadowsky 5 string), bongos (toca percussion). Recorded to sd card using a zoom r16 digital 8-track (44. 1khz, 16 bit wav format). Mixed using goldwave.

This is my first submission to the site. I've recently been exploring sound design a little bit more and thought i would provide something. Here is 15 minutes of ambient sound recorded around 5 am on october 10th, 2011. I used a shure sm58 microphone through a native instruments audio 8 dj interface. Without a microphone amplifier or my active microphone ready to use i ended up amplifying this about 52 db then removed the extraneous noise by 80% @ 40 db using the noise reduction plug-in in adobe audition cs5. 5. Finally, saving the result to wav @ 44,100 hz, 16-bit.

Striking matches / lighting matches close to mic'. 16 bit, 44,1 khz, mono source & output. No envelope automation, no compression, nothing except a slight hp at 26 hz. Clipping did occur on some transients for a few milliseconds (0-4 ms) on the strike due to mic' proximity (3 inches). Mic' used: samson c01 usb.

To create this sound i hit an apple with a pair of scissors in my bedroom. It sounds as if someone is being hit over the head with a hammer - i created it as foley for a student film for this purpose. To record i used my sontronics stc-10 microphone and my audiobox interface running pro tools from my mac at 48khz, 16 bit.

A plastic bag, paper wrapper and other materials were recorded individually being rubbed. I then layered them in audacity to be played over each other. From the resulting layered sound i generated this 10 second loop. Sounds like a mellow rain upon the ground or a slow crackling fire. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Attribution appreciated but not required.

Recording of a pair of oven mitts being hit together. Might be useful in a game as an inventory sound. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

Rodovia 262 minas geraisposto de paragem de ônibus, carretas e caminhões. ** acidentalmente deixei o agc (automatic gain control) ativado. É possível perceber pequenas variações de volume no waveform. Sorry!. Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). 16 bit. Wav48. 000 hzmono.

Explosion sound created using a zoom h1 and tempering with metal fibers near the mic capsules. Added verb and pop compression for better flexibility. Recorded at 24bit 96khz, down converted to 16 bit wav. Feel free to use this for what ever you need it. Wouldn't mind some credit, thank you. :) stay tuned for more audio effects. Due note that they will improve.

A collection of sounds of a magazine flipping through its pages and a heavy book slamming shut. Recorded using a blue yeti microphone at 16-bit 44100hz in audacity. Used audacity's noise removal filter to to remove background noise. For this file, i isolated the samples i liked and left a small gap of silence between them for separation later. Attribution appreciated but not required.

This is my final assignment for aspma course 2016. It is based on transformations over the file speech-male. Wav (https://www. Freesound. Org/people/xserra/sounds/317744/), used often over the course. A small time-stretching transformation, morphing with piano chromatic scales, and finally arranged by a python script to produce the final audio output. You can find the python code here:https://github. Com/nerkamitilia/aspma16/blob/master/workspace/a10/a10. Py. Format:mono, 16-bit, 44100hz.

Do you ever have a paper bag lunch, but you were raised with a lack of funds-- you have, a lack of money as some would say, but you have no proper way to take your discomfort for the severely unsatisfying, unappealing lunch you have to eat every single day. So, you take it out on your perfectly fine and well crafted, paper-bag sustenance. This is it, this is this feeling represented in wav form. 48000 hz/ 16 bit.

Caminhando sobre folhas secas e gravetos. Estação: outono. * foi gravado bem perto das folhas, mas ainda sim há vazamento de sons que vem de fora da fazenda. Basta uma varredura de frequências indevidas e tudo estará resolvido. (footsteps on leaves and gravels). Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). Http://www. Imagemhost. Net/myh. Jpg. 16 bit. Wav44. 100 hzmono.

Gravado às 06:00 da manhã no quintal de uma casa em uma cidade pequena. (recorded at 6:00 am in a little town). Galo contando, grilos e um peru. Gravado com celular samsung galaxy usando o app "tape machine lite". (recorded with samsung galaxy using "tape machine" app for android). 16 bit. Wav48. 000 hzmono.

Calm ocean breeze simulation, created using the zoom h1. Sound was created using water faucet, and carpet to catch ambient close sounds to create this effect. Added pop compression filter and verb. Recorded at 24bit 96khz , converted to 16 bit wav. Feel free to use this sound how ever you need it. A little credit wouldn't hurt. Thank you and stay tuned for more improved sound effects. :).

It's a recording i made while having troubles with my nose. Kind of disgusting recording, but might be a lot of fun to play with. You can hear me breating in through nose, breathing out, and finally sucking the problematic substances to my throat (i subsequently spit it out, but i coudn't record that - i had no place to spit it into). Recorded with zoom h2 via usb into ardour 2. Originally 48000/16-bit wav, coverted to flac with ardour.

This is my voice of frustration. I recorded this by an accident, i got angry in the middle of recording something else. Authentic - no acting. "kurwa" is a polish word as popular and as meaningful as english "fuck". It is also (sadly) the most well-known polish word among other nations. Recorded with a zoom h2 via usb @ 48khz/16-bit into ardour 2. Edited and converted to flac using ardour 2. I apologize for uploading this.

They've been telling us to "eat ze bug. . . " but now you can try before you buy. Here are some soft, distance crickets recorded on a warm, quiet summer night. Just like old jeb used to like it! i bumped the volume up by about 6. 3db, as i didn't want to ruin the serene quality by bring it to full normalization. Not processed or modified in any other way, but a decently clean sample. Audio specs:-. Wav uncompressed- 44. 1 khz (standard)- 16-bit.

Douzens of frogs within a ditch at dusk end of may 2013, giving an evening concert. Recorded in moorende 25 km apart from hamburg. The ditch is a part of the old watering system of the huge apple plantages of the altes land. Recorded with a tascam dr-100 with its implememented stereo cardioids, 44,1 khz, 16 bit stereo. Fortunately and unusually nearly no wind during the recording and only one motorbike passing at the small road beneath - which i was able to cut off unnoticable.

2 lengths of 3 different pitches of this low cinematic squelch bass. Played once with a large reverb and again played dry with no fx. This sound is modeled after the inception movie's large horn blast. It is a low multi-voiced saw wave with a specific ring modulation setting to give it it's effect. This sound is rendered as a 44100 sample rate 16 bit wav file. Made with native instrument's massive inside ableton live 9.

Inspired from the sniper scene in "saving private ryan,". These are sound recordings of a heavy storm that entered los angeles. A compressor and equalizer was added to emphasize the rain in the gutter. Used to your preference, add rocks, gun loading, battle etc and you'll have an award winning film. Recorded using a tascam dr07 mk2 x/y stereo config. 24bit 96khz, down-sampled to 16 bit wav. Feel free to credit,comment and suggest further recordings for your need. Glad to help, and remember to enjoy editing :).

The raw data is result of this command in my linux command line shell:. Cat /dev/sda1 > my_hard_drive. Then the file my_hard_drive has been imported as raw by audacity sound editing program with attributes:. Signed 16 bit pcm with no byte order 2 channels (whatever. . . ) stereo, 44100 hz. This sound differs from that which can be played just by command "cat /dev/sda1 > /dev/dsp" - this last command plays sound through speakers instead of writing a file. The sound is closer to sound of 56k modem. Later i will upload it (i've just connected line-out of sound card to it's microphone slot).

Interesting (but painful) sounds made with a zoom h2 (front mics, low gain) connected to a laptop via usb. The signal was piped to old creative sbs250 spekers with 16ms of latency (i'm using jack audio connection kit and linux). That's how my feedback loop came into existance. I turned up the volume and started to move the mics around, geting a lot of different sounds ranginf from simple tones to strange lfoish sounds. The sound touches 0db one times, but is rather undistorted (at least digitally). Recorded with audacity @ 48khz/16-bit and saved as flac.

Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.